Catrin Menai

Sound holes

  • Within the Fixed space of my intention (to find a whalebone) , a series of questions enter , e.g.

    How might a whale hear?
    Where might a whale die?

    These questions come from different points of enquiry (inside and outside). I think in order find the bones, or make this a more realistic success, I may need to embody the flesh.

    I spend time in the water. To embody research this way feels vital. This is where the work and the research begin to perform together between their separated selves. There is a usefulness in the tension here , that is, between the exterior of the story and the interior of its origin.

    Something that stands out to me in the water is that sounds sound different there.  Sometimes a drop of water falls in your ear. Sometimes it even falls back out again. I come across this line by Gertrude Stein, that says

    Water is astonishing and difficult altogether makes a meadow
  • and a stroke.
    (1914)


    I start to think about the interior and exterior not just as bones and flesh or origin and conclusion , but as sound retrieved and sound re-enacted. I guess you could call this ‘prosody’.
    I start using the internet to google things like 
    “Gertrude Stein and Fish” 

    Using Format